Classifications: Photographs, Drawings. 137.2 x 142.2 cm And many critics who saw this work in Smithson's first solo show at the Dwan Gallery in 1966 identified him as a leading Minimalist. About Robert Smithson Born in Passaic, New Jersey, Robert Smithson (January 2, 1938 - July 20, 1973), spent his formative years in New Jersey. Non-sites is the title Robert Smithson gave to a group of geologically and geographically based works he began in 1968. [Internet]. The ramp has slowly eroded since its construction; thus, like all of Smithson's mature Earthworks, it will eventually succumb to the elements, much like natural landscapes themselves. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. Robert Smithson Other theoretical writings explore the relationship of a piece of art to its environment, from which he developed his concept of sites and non-sites . If there ever was a geophilosopher before Gilles Deleuze, it was certainly Robert Smithson, the prematurely deceased artist and critic who, since the mid-1960s and through the early 1970s, explored the American land with a keen eye for natural history, industrial ruins, suburban civilisation, rock strata and salt crystals. Eugenie Tsai's re-presentation of the work of Smithson expands our understanding of his achievement. Title: Island of Coal Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1969 Medium: Gelatin silver print Dimensions: 18.1 x 23.8 cm (7 1/8 x 9 3/8 in. ) Robert Smithson in Texas is the first examination of five projects Smithson proposed throughout the state of Texas. Partially Buried Woodshed is a work of land art created by Robert Smithson. Robert Smithson’s “Sleeping Venus, Giorgione” (1964). Updated and modified regularly [Accessed ] ROBERT SMITHSON Quick Millions 1965 Red, glitter, light blue, black plastic panels 54 x 56 in. While tragically, Smithson played no role in the actual construction of Amarillo Ramp, the posthumous piece is a fitting tribute to his life's work and artistic philosophy. When the drum delivered by National Starch and Chemical Company was pried open, its sticky contents were a garish orange—not the expected neutral grey. A site was a work located in a specific outdoor location, while a non-site was a work which could be displayed in any suitable space, such as an art gallery . In Rutherford, William Carlos Williams was Smithson's pediatrician. 11 x 8 1/2" (27.9 x 21.6 cm) (each). Robert Smithson (January 2, 1938 — July 20, 1973) was an American artist who used photography in rel a tion to sculpture and land art.Smithson was born in Passaic, New Jersey and early on lived mostly in Rutherford. Great Salt … Drawings and Prints Medium: Photostat and plastic overlay with wax pencil. Site . Robert Smithson; Discontinuous Aggregates, 1966 Robert Smithson; Trailer Partially Covered with Asphalt, 1970 Robert Smithson; Detail, Surd Deposit, 1970 Robert Smithson; Torn photograph from the second stop (rubble). The Story behind “Sun Tunnels,” Nancy Holt’s Land Art Masterpiece, 8 Artists Who Went to Extreme Measures for Their Art. Artist: Robert Smithson (American, Passaic, New Jersey 1938–1973 Amarillo, Texas) Date: 1973. Smithson grew up in New Jersey, and moved to New York in the 1950s to study at the Art Students’ League and the Brooklyn Museum School. Robert Smithson Language to be Looked at and/or Things to be Read: Drawings 1962-63 New York February 5 – March 4, 2000. 1), a presentation work that is part of his Reclamation series. Eugenie Tsai's re-presentation of the work of Smithson expands our understanding of his achievement. Born in Passaic, New Jersey, ROBERT SMITHSON (January 2, 1938 – July 20, 1973), spent his formative years in New Jersey. Soil, rocks, sand - Tecovas Lake, 15 miles NW of Amarillo, Texas, Content compiled and written by Justin Wolf, Edited and published by The Art Story Contributors. Blind in the Valley of the Suicides (1962) Blind in the Valley of the Suicides depicts a human transforming into a tree and may have been inspired by Dante's Divine Comedy. every artistic medium that Smithson used. Additional Sources Getty Research Institute: creatorOf: Smithson, Robert. It was created at Kent State University in January 1970. Robert Smithson: Drawings documents Smithson’s first large-scale exhibition of drawings (at the New York Cultural Center, April 19 - June 16, 1974). Made of black basalt rocks and earth gathered from the site, Spiral Jetty is a 15-foot-wide coil that stretches more than 1,500 feet into the lake. Best known for his radical land art of the 1960s and early 1970s, Smithson is now widely recognised as one of the most influential artists of the twentieth century. It is one of a series of early drawings from 1960 to 1962 that explores the themes of vision and blindness. Exhibition . In this case, the container is amorphous, the mirror is the rigid thing." It is one of a series of early drawings from 1960 to 1962 that explores the themes of vision and blindness. Robert Smithson: Time Crystals Curated by Dr Amelia Barikin and Professor Chris McAuliffe Robert Smithson: Time Crystals is the first exhibition in Australia dedicated to the work of American artist Robert Smithson (1938-73). Overview Collection Information. Get this from a library! TheArtStory.org Content compiled and written by Justin Wolf Edited and published by The Art Story Contributors Available from: First published on 01 Aug 2012. He was one of the founders of … The New York Cultural Center in association with Fairleigh Dickinson University ... New York.. [Robert Smithson; New York Cultural Center. Robert Smythson 1534/5–1614. Smithson originated what he called non-sites, referring to the exhibition of materials that have been removed from their natural geological setting and displayed in a gallery space with documentation of their origins and extraction, such as photographs and maps. Mar 29, 2018 - Robert Smithson is undoubtedly one of the most important artists in the second half of the 20th century. Robert Smithson Unearthed: Drawings, Collages, Writings, the first full survey of this artist's work, reevaluates its larger resonance and its place in the historical development of recent art. Second Mountain of 6 Stops on a Section, 1970, Torn Photograph from the Second Stop (Rubble), Second Mountain of 6 Stops on a Section, 1970, Torn Photograph from the Second Stop (Rubble) (Second Mountain of Six Stops on a Section), 1970. Smithson, Robert. He loaded a dump truck with hot asphalt, and then had the truck discharge the contents down the sides of a quarry, so that the mixture cooled and hardened as it fell, ultimately seeming to fuse with the sides of the quarry. Mar 6, 2014 - Holt/Smithson Foundation exists to continue the creative and investigative spirit of the artists Nancy Holt (1938-2014) and Robert Smithson (1938-73). It is located southeast of the Liquid Crystal Institute building on the Kent State University main campus. "Robert Smithson has been one of the most influential and revolutionary artists since World War II. Movie Treatment for Spiral Jetty, 1970, Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section), 1970, Avalanche, complete set of issues #1-13, 1970-1976, Torn Photograph from the Second Stop (Rubble). ©2020 The Art Story Foundation. Smithson described the difference between the two kinds of work: "In other Non-sites, the container was rigid, the material amorphous. Rights Statement: Current copyright status is undetermined While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. Smithson created Asphalt Rundown - the first monumental Earthwork that he made outside, to be seen outside - in a quarry on the outskirts of Rome. 1169.2001.a-c. Best known for his radical land art of the 1960s and early 1970s, Smithson This is an article from the Summer 2015 issue of Canadian Art.. Robert Smithson in Texas is the first examination of five projects Smithson proposed throughout the state of Texas. Duration is 3 hr. Smithson made the work at the invitation of the Sonsbeek buiten de perken (Beyond the Pale) exhibition. Gary Shapiro Robert Smithson designed and directed the construction of his iconic work the Spiral Jetty in April 1970. Robert Smithson is most well known for his monumental earthwork Spiral Jetty, 1970, located in the Great Salt Lake, in Utah. Robert Smithson letters to George B. Lester, 1960-1963. "Robert Smithson Artist Overview and Analysis". A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. In 1963 he married the artist Nancy Holt (1938-2014), who managed the Estate of Robert Smithson from 1973-2014, and who literally willed Holt/Smithson Foundation into being. Duration is 3 hr. Eugenie Tsai Columbia University Press, 1991 8 1/4 X 11", 200 pp., 110 illus., 8 in color ISBN 0-231-07258-9, Cloth, out of print ISBN 0-231-07259-7, Paper, $29 James Cohan Gallery is pleased to present an exhibition of early works on paper by Robert Smithson, best known for his monumental earthwork the Spiral Jetty (1970). Robert Smithson was born in Passaic, New Jersey, in 1938. Smithson (1938-73) came of age in the 1960s when a flurry of knotty movements, ideas and adherences were gaining purchase – minimalism, land art, psychogeography, site-specific art, video art and more. Credit Line: Purchase, Pat and John Rosenwald Gift, 2001. The artwork is noted as one of Smithson’s best. Untitled (Three Spiral Jetty Drawings). Smithson would continue to explore the theme of vision throughout his later work - particularly in pieces involving mirrors - but he soon abandoned figurative drawing. Size: 29 Pages, Transcript. Nearly five decades after his tragic early death, one of the 20th century’s most influential American artists is the subject of two new shows. In Rutherford, William Carlos Williams was Smithson’s pediatrician. The northern section of the Great Salt Lake, where Smithson chose to site Spiral Jetty, was cut off from fresh water supplies when a nearby causeway was constructed by the Southern Pacific Railroad in 1959. Born in Passaic, New Jersey, Robert Smithson (1938 - 1973) is an artist who recalibrated the possibilities of art. . The ramp was originally commissioned by Stanley Marsh, a local ranch owner, who also commissioned Ant Farm's Cadillac Ranch (1974) and several other sculptures located along his 200 square miles of land near Amarillo. This encouraged the water's unique red-violet coloration, because it produced a concentration of salt-tolerant bacteria and algae. (c. 1970). Born in New Jersey in 1938, Smithson' early interests in cartography, geology, prehistory, philosophy, science-fiction, and language spiral through his work. Smithson was born in Passaic, New Jersey and early on lived mostly in Rutherford. Robert Smithson combined drawing with photography in Bingham Copper Mining Pit—Utah Reclamation Project (1973; fig. These early works, 16 color pencil drawings and sculptures from 1962–64, were instrumental in Smithson’s path towards his ultimate vision. Smithsonian Archives of American Art: creatorOf: Gorgoni, Gianfranco. Second Mountain of 6 Stops on a Section, 1970, Great Salt Lake - Utah. For over fifty years his work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. At one time the ramp emerged from an artificial body of water called Tecovas Lake, which has since dried out. His innovations in both the practice and theory of art have been mentioned with great respect by many artists and art historians. Robert Smithson: drawings. Wikipedia entry Introduction Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. Read more. Robert Smithson: Time Crystals is the first exhibition in Australia dedicated to the work of American artist Robert Smithson (1938–1973). Overview Collection Information. Dimensions: 47 x 34.3 cm (18 1/2 x 13 1/2 in.) Robert Smithson by Jennifer Padgett. Photographs of earthworks / Gianfranco Gorgoni. The Legacy of a Pioneering Land Art Intervention in Utah. Robert Smithson. Blind in the Valley of the Suicides depicts a human transforming into a tree and may have been inspired by Dante's Divine Comedy. His large-scale sculptures, called Earthworks, engaged directly with nature and were created by moving … And, by inserting the Jetty into this damaged section, and using entirely natural materials native to the area, Smithson called attention to environmental blight. The artwork is noted as one of Smithson’s best. Mud, precipitated salt crystals, rocks, water coil - Rozel Point, Great Salt Lake, Utah. From the 1960s onwards, Robert Smithson was one of the most interesting artists to try out new, institutionally critical art forms and present visionary ideas. In June 1971, the American artist Robert Smithson (1938–1973) completed the land art project Broken Circle/Spiral Hill in a sand quarry in Emmen. Buoyed by the convivial mood of his co-conspirators, master of ceremonies Robert Smithson proceeded to lower the barrel into position atop the steeply inclined clay bank near … Limited-Edition Prints by Leading Artists, Mirror Trail 5730 (Hand Signed), 1968-1969, Torn Photograph from the Second Stop (Rubble). Accession Number: 2001.293 All Rights Reserved |. In particular, the work is made of a series of stepped units that are positioned such that they slowly increase (or decrease) in size; this sense of progression is quite different from the kind of straightforward repetition employed by Judd's sculpture. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. It includes a preface by the center’s director Mario Amaya, an introduction by Susan Ginsburg, an essay by Joseph Masheck, a timeline of Smithson’s exhibition history, and forty-seven pages of drawings. Robert Smithson. Working with unconventional materials including soil, rocks, disused industrial sites, and language, the artist explored the metaphorical qualities inherent in geological formations and the process of entropy. Over a year earlier, heavy winter rains induced a structural collapse of the hillside, sending a … James Cohan calls its … Ink on paper - Estate of Robert Smithson, James Cohan Gallery, New York. Robert Smithson’s Record Collection. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement. Classifications: Photographs, Drawings Credit Line: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2001 Accession Number: 2001.273 The monumental earthwork Spiral Jetty (1970) was created by artist Robert Smithson and is located off Rozel Point in the north arm of Great Salt Lake. Forms part of: Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987. Robert Smithson was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. In June 1971, the American artist Robert Smithson (1938–1973) completed the land art project Broken Circle/Spiral Hill in a sand quarry in Emmen. The art world's recent embrace of Tom of Finland now feels like a warm-up for the revelation of Robert Smithson's early drawings. Smithson particularly liked the combination of colors because it evoked a ruined and polluted sci-fi landscape. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. Size: 29 Pages, Transcript. "Robert Smithson Artist Overview and Analysis". Format: Originally recorded on 2 sound tape reels.Reformatted in 2010 as 3 digital wav files. Works such as this belong to a part of his career in which he was preoccupied with imagery drawn from the repertoire of science fiction and Catholicism (his mother's religion). Format: Originally recorded on 2 sound tape reels.Reformatted in 2010 as 3 digital wav files. Object Details. Best know for his sculpture and monumental earthworks, particularly the Spiral Jetty in the Great Salt Lake, Utah (1970), his work also includes drawings, paintings, collages, and writings. May 2020, Artist Playlists. Second mountain of 6 stops on a section, 1970 Robert Smithson; Chalk–Mirror Displacement, 1969 Robert Smithson Smithson said his intention was to "root it in the contour of the land, so that it's permanently there and subject to the [sic] weathering." Distinguished by its restrained aesthetic and fascinating geological components, Robert Smithson’s Double Nonsite, California and Nevada is a quintessential example of the artist’s pioneering series of Nonsites of 1968-1969. Robert Smithson (January 2, 1938 — July 20, 1973) was an American artist who used photography in relation to sculpture and land art.Smithson … His work has been internationally exhibited in galleries and museums and is held in public collections including the Museum of Modern Art, New York, the Smithsonian American Art Museum, Solomon R. Guggenheim Museum, New York, the Tate Modern, London, the Whitney Museum of American Art, New York, among others. And while the Site pieces always contained a component situated in the gallery, the Mirror Displacement pieces were sometimes situated outside - as was this example, which was set up in Oxted Quarry in England. Important Art by Robert Smithson Artwork Images. Fractional and promised gift of Tony Ganz in memory of Victor and Sally Ganz. Robert Smithson, Untitled [Pink linoleum center], 1964. The work has since been demolished, and only concrete remains in the grass. His best-known work remains Spiral Jetty (1970), a large basalt formation in the shape of a coil, extending out into the waters of Utah’s Great Salt Lake. His innovations in both the practice and theory of art have been mentioned with great respect by many artists and art historians. See also Susan Ginsburg, Robert Smithson: Drawings (1974). The Jetty is a site-specific work, meant to interact with changing conditions of the surrounding water, land, and atmosphere. April 19-June 16, 1974. Access: This collection … Constructed when Smithson was still mostly confining himself to the studio, Plunge is in keeping with Minimalism's preoccupation with geometry, repetition, and industrial materials. The images above are of an erosion control installation seen in a Portland park. Read more. His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Robert Smithson Unearthed: Drawings, Collages, Writings, the first full survey of this artist's work, reevaluates its larger resonance and its place in the historical development of recent art. Smithson began making the Mirror Displacement series shortly after his Site/Non-Site works. Represented by industry leading galleries. It demonstrates the importance of entropy in his thinking, since here gravity and loss of energy are integral to the creation of the work. Six mirrors, chalk - Oxted Quarry, England. Amarillo Ramp is comprised of a 140-foot diameter partial circle of rock, which ascends from level ground up to a height of 15 feet. Creator: Tippetts-Abbett-McCarthy-Stratton. Smithson, Robert Title: Robert Smithson drawings, 1969-1970: Physical Description: 0.5 linear feet (1 box (3 items)) Language(s) English . A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. ; Fairleigh Dickinson University.] Long-term view, Dia Beacon. A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. However, there is much in Plunge that departs from the aesthetic of mainstream Minimalists such as Donald Judd. This year, in January, was also the 50th anniversary of another of the artist’s earthworks, “Partially Buried Woodshed.” It will be possible to see 4 films, 30 drawings, photographs and additional source material, as well as an installation. Robert Smithson; Discontinuous Aggregates, 1966 Robert Smithson; Trailer Partially Covered with Asphalt, 1970 Robert Smithson; Detail, Surd Deposit, 1970 Robert Smithson; Torn photograph from the second stop (rubble). Robert Smithson, Spiral Jetty. Robert Smithson — land art’s alluring pioneer. Drawings, 1969-1970. Press Release. The career of Robert Smythson brilliantly unites two architectural universes. While Judd's work is often quite frank about its scale and dimensions, the changing scale in Smithson's Plunge makes it strangely difficult to gauge the scale of its individual components, and this attempt to befuddle the viewer is typical of the latter's work. As in the Site series, Smithson was preoccupied with the way material, or another site, might be represented; might the materials in the Displacement be thought to "mirror" their presence elsewhere? The runway layout first phase and master plan slide reproductions have been annotated with notes and drawings regarding earthworks by Robert Smithson. Nevertheless, he also sought to reference the importance of time in eroding and transforming our environment. [Internet]. 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